What does theater produce in people's lives?; what are the consequences of a theater show?; what importance and reach does the act of remembering have in theater and in the ephemeral arts?; how to access this intimate heritage?; how is memory constructed in theater?; how to share it? In this installation-performance, the intention is to investigate the Public Archive of the Teatro Oficina. Excavating this submerged material, stored in an uncertain place of memory, was the task carried out in conjunction with a group of audience members from different generations who have followed Teatro Oficina over these 25 years. What material are the audience's memories made of?; where do these memories reside?; how are they awakened and transformed? how are they shared? Seeking the images, sounds, absences, words, times, and spaces that testify to an aesthetic experience and production - unexpected emotions, unforgettable characters, shows that are loved and others that are hated, moments of life that intersect with the lives on stage, the first trip to the theater, images that impress and stick and always return, that continue over time... This reservoir of experiences is the dialoguing material, in a performance for two actors who lend their bodies and voices to the polyphony of the multiple voices that will share these and other memories.